“Objects are blues singing femmes fatales in the seedy cocktail lounge of reality.”

-Timothy Morton

POÈME is a sensual conversation. Objects and sounds arranged in a parallel universe of motion. The artists are no longer specific: they are liquid and formless. The ether, the between-people-space captures the immediate love song of life. Frameworks need not be necessary or definitive. Exploring is the highest action. Play! The photograph drips of life through stanza. Forms vogue and death drop. The lifespan of a piece of paper is far too short, but the impressions and dreams and following infinite reflections are long-lasting. Evolving and harmonizing. Perfect blue notes. Not just one thing or the other. Piercing. They vibrate eardrums and eyesights. Honest impressions of you are directly inside these pieces of artwork-object-things-blobs-bleeps-bloops-pulse-frequencies. POÈME is a realm of aesthetic exploration. Clearness through blurred colors. Abandonment to the idea of perfection. Pixels turned ink turned waste. The world close to what it is that we see, but we encourage you, dear Poet, to distort it.

It’s a lifelong drift, extraordinary. POÈME is a theory we write. Intimate variables of meter, tempo, lyric, language, helping hands, visual structure: those modes are your art of now. Our capability of being spoken, rapped, sung, memorized, forgotten in our individual way makes the viewer / listener yearn and long to return back to its sense of self. POÈME is for every unique you dear viewer / listener / thinker / lover of unknown others. Free stimulation.We as artists of POÈME do not promote or support extreme ideologies to be in practice, whereas these damaging critiques, outcries, physical engagements and/or intrusive behaviors threaten other beings/becomings. Poetics, a gorgeous theory. POÈME exists before structure. The dream of the sculptor.

Draft your blueprint after the show. Sketch new outlines of expired ideas later. We encourage all visitors to remain present. In introducing all the roads in tunnels of senses, we find each other. This small slice of familiarity is an invitation.

Celina Marie Dzyacky

Marius Glauer (b. 1983 in Oslo, Norway ) lives and works in Berlin and has recently shown work at Daimler Contemporary (GER), HEIT Gallery (GER), and Kunstnernes Hus (NOR).

Celina Dzyacky (b. 1987 in Chicago, IL) currently lives and works in Berlin and has recently shown work in the Botanical Garden (Pavia, IT) and has performed live at gr_und Gallery and Blake & Vargas Gallery (GER).